Francesca Rosi
0000-0002-1518-4784
60 papers found
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Probing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques
Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices
Multitechnique approach for unveiling the technological evolution in building materials during the Roman Imperial Age: The Atrium Vestae in Rome
Scientific analysis underpinning the multidisciplinary project “The Leman Album: an Enhanced Facsimile”
Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation
Interpreting technical evidence from spectral imaging of paintings by Édouard Manet in the Courtauld Gallery
Micro transflection on a metallic stick: an innovative approach of reflection infrared spectroscopy for minimally invasive investigation of painting varnishes
CRONO: a fast and reconfigurable macro X-ray fluorescence scanner for in-situ investigations of polychrome surfaces
Molecular and structural characterization of some violet phosphate pigments for their non-invasive identification in modern paintings
Revealing the Nature and Distribution of Metal Carboxylates in Jackson Pollock’s Alchemy (1947) by Micro-Attenuated Total Reflection FT-IR Spectroscopic Imaging
Micro-Raman and SER spectroscopy to unfold Lefranc's early organic pigment formulations
Disclosing Jackson Pollock’s palette in Alchemy (1947) by non-invasive spectroscopies
UV–Vis-NIR and microRaman spectroscopies for investigating the composition of ternary CdS 1−x Se x solid solutions employed as artists' pigments
Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience
Revealing the nature and distribution of metal carboxylates in Jackson Pollock’s Alchemy (1947) by micro attenuated total reflection FTIR spectroscopic imaging.
Disclosing Jackson Pollock’s palette in Alchemy
A Study of Picasso's Painting Materials and Techniques in Six of His Early Portraits
UV–Vis-NIR and micro Raman spectroscopies for the non destructive identification of Cd 1−x Zn x S solid solutions in cadmium yellow pigments
Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks
An integrated approach based on micro-mapping analytical techniques for the detection of impurities in historical Zn-based white pigments
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