David Buti
www.ispc.cnr.it
0000-0001-6347-6506
National Research Council
31 papers found
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Identification of green pigments and binders in late medieval painted wings from Norwegian churches
Investigation of mineralization products of lead soaps in a late medieval panel painting
The rarest blue: An exceptional find of lapis lazuli in the polychromy of a funerary portrait from ancient Palmyra
Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices
Il laboratorio mobile MOLAB per indagini non-invasive in situ: lo studio del Codex Purpureus Rossanensis
Coloring Materials, Technological Practices, and Painting Traditions:
Tracking Metal Oxalates and Carboxylates on Painting Surfaces by Non-invasive Reflection Mid-FTIR Spectroscopy
Non-invasive chemical characterization of painting materials of Mesoamerican codices Borgia (Borg. mess. 1) and Vaticanus B (Vat. lat. 3773) of the Biblioteca Apostolica Vaticana
Methods and Materials of the Amsterdam Sunflowers
Studio spettroscopico non invasivo della composizione molecolare della palette di Alchimia
Long-Lost Relations?
Exploring the Materiality of Mesoamerican Manuscripts by Non-invasive Spectroscopic Methods: Codex Laud, Bodley, Selden, Mendoza and Selden Roll at the Bodleian Library
Further Insight into Mesoamerican Paint Technology: Unveiling the Colour Palette of the Pre-Columbian Codex Fejérváry-Mayer by Means of Non-invasive Analysis
Changing Colours in a Changing World: The Technology of Codex Painting in Early Colonial Mexico
Chemical characterization of black and red inks inscribed on ancient Egyptian papyri: The Tebtunis temple library
Maurice-Quentin de La Tour and Jean Valade pastels: History, materials and studio practice
The past, present and future of lead white in Denmark’s national graphic art collections
Non-invasive in situ Examination of Colour Changes of Blue Paints in Danish Golden Age Paintings
Colour changes due to the fading of Prussian blue in Danish Golden Age paintings
Visualization of As(iii) and As(v) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings
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