Vanessa Henriques Antunes
www.mendeley.com
0000-0001-7240-6956
Universidade de Lisboa Faculdade de Letras
125 papers found
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Antunes, Vanessa; Candeias, Antonio; Valadas, Sara; Mirão, Joseph; Cardoso, Ana; Pessanha, Sofia; Manso, Marta; Carvalho, Maria L , Iberian ties: technical and ideological evolution from Zurbarán to Baltazar Gomes Figueira and Josefa d'Obidos, Workshop on Cultural and Natural Heritage at ESRF-EBS - Grenoble - France 22-24 January 2020. The workshop AIMS To provide a scientific forum to present and promote the use of synchrotron-based techniques in the field of cultural and natural heritage.
Pessanha, Sofia; Manso, Marta; Antunes, Vanessa; Carvalho, Maria Luisa; Antunes Vanessa Gancient on silver: non-invasive determination of thickness gancient over silver in the portuguese monstrance from the 19th century, 15 Rio Symposium on Atomic Spectrometry, 6-11 october, Argentinahttps://www.dropbox.com/s/i71lzvwz3lgo7ys/PROGRAMA%20CIENTIFICO%202019%20CC%20%283%29.pdf?dl=0
Antunes, Vanessa; Candeias, Antonio; Valadas, Sara; Mirão, Joseph; Cardoso, Ana; Pessanha, Sofia; Manso, Marta; Carvalho, Maria L"The great painter Salzedo," master of Peninsular Mannerism: Analysis by Raman spectroscopy and spectroscopic techniques associated, 10th International Congress on the Application of Raman Spectroscopy in Art and Archeology (RAA2019) 03:09. - 09/07/2019 Potsdam – Germany
Josefa d' Óbidos workshop from panel to canvas. Multianalytical approach to materials and technical evolution of the most significant Portuguese painting workshop of the 17th century
Monte Carlo simulation of portable X-ray fluorescence setup: Non-invasive determination of gold leaf thickness in indo-Portuguese panel paintings
Antunes, Vanessa; Candeias, Antonio; Valadas, Sara; Mirão, Joseph; Cardoso, Ana; Pessanha, Sofia; Manso, Marta; Carvalho, Maria L.The Painter in the Shadow: Unveiling Conservation, Materials and Techniques of the Unknown Luso-Flemish Master of Lourinhã, MATERIALS 2019 XIX Congress of the Portuguese Materials Society and X International Symposium on Materials, Caparica, Portugal, from 14-17 April 2019. https://www.materiais2019.pt// Antunes, Vanessa; Candeias, António; Valadas, Sara; Mirão, José; Cardoso, Ana; Pessanha, Sofia; Manso, Marta; Carvalho, Maria L. A Painter in the Shadow: Unveiling Conservation, Materials and Techniques of the Unknown Luso-Flemish Master of Lourinhã, MATERIAIS 2019, XIX Congresso da Sociedade Portuguesa de Materiais and X International Symposium on Materials, Caparica, Portugal, from 14 – 17 April 2019. https://www.materiais2019.pt/
Antunes, Vanessa; Valadas, Sara; Candeias, Antonio; Mirão, Joseph; Cardoso, Pessanha, Sofia; Meek, Martha, Carvalho, Mary L., still lifes in earth materials: technical and ideological evolution from Balthazar Gomes Fig tree to Josefa d 'Óbidos, 6th International Conference on Particle Induced X-ray Emission (PIXE2019), Caldas of the Queen, 24- March 29, 2019,https://i.pixe2019.org/event/1/
ScrutinizingEcce Homo: European or Indian painting? Assessment by Raman and complementary spectroscopic techniques
Antunes, Vanessa; Valadas, Sara; Serrao, Victor; Carvalho, Mary G .; Candeias, Antonio; Mirão, Joseph; Cardoso, Ana; Lauw, Alexandra; Pessanha, Sofia; Manso, Marta. Poster: Josefa de Obidos workshop: from panel to canvas. Materials and technical evolution of the most significant Portuguese painting workshop of the 17th century. EUCMOS 2018 34th European Congress on Molecular Spectroscopy. Coimbra, Portugal. 2018, 19-24 August.http://www.qui.uc.pt/eucmos2018/scientific_programme.html
On the origin of Goa Cathedral former altarpiece: Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from 16th century Lisbon workshop
Antunes, Vanessa; Serrao, Victor; Candeias, Antonio; Mirão, Joseph; Cardoso, Ana; Carvalho, Mary G .; Dias, Cristina; Manso, Marta. Goan European mannerism or style of production? Technical materials and characterization of a pair of paintings from 17th century, InArt 2018 3rd International Conference on Innovation in Art, Research and Technology. Parma, Italy. 2018 26-29 March.http://www.inart2018.unipr.it/
From earth to figure: Scrutinizing Ecce Homo-European or Indian painting? Assessment by Raman spectroscopy and complementary spectroscopic techniques
"De artibus in auream goa": the painter Aleixo Godinho and the portrait of his patron Frei Diogo de Sant'Ana in the old Monastery of Santa Monica.
Preparing the image: ground layers in Portuguese painting of 15th and 16th centuries – engraving and preparation
Notes on painting of the 16th and 17th centuries in Goa and in the former portuguese state of india: mannerist Italian and Flemish influences
Scrutinizing Ecce Homo-European or Indian painting? Assessment by Raman spectroscopy and complementary spectroscopic techniques
Antunes, Vanessa; Candeias, Antonio; Carvalho, Mary G .; Dias, Cristina Barrocas; Manhita, Ana; Francis, Maria J .; Lauw, Alexandra; Manso, Marta. Highlighting Flemish and Portuguese painting workshops and differences Similarities: two paintings and two masters. Colloquium Spectroscopicum Internationale XL. Congress Palace, Pisa, Italy. 2017 11-16 June. http://www.rsc.org/events/detail/27072/colloquium-spectroscopicum-internationale-xl
Antunes, Vanessa; Candeias, Antonio; Mirão, Joseph; Carvalho, Mary G .; Serrao, Victor; Dias, Cristina Barrocas; Manhita, Ana; Reis, Monica Esteves; Manso, Marta. Goa cathedral former altarpiece: the Portuguese feature? Material and technical assessment to the work of Garcia Fernandes, Portuguese painter from Lisbon workshop Technart 2017. Bilbao. 2017, 2-6 May. https://www.ehu.eus/en/web/technart2017
Antunes, Vanessa; Candeias, Antonio; Carvalho, Mary L.; Dias, Cristina Barrocas; Manhita, Ana; J.Francisco, Maria; Lauw, Alexandra; Manso, Marta. Analytical characterization of Jorge Afonso palette and painting techniques, the great master of Lisbon painting workshop Technart 2017. Bilbao. 2017, 2-6 May. https://www.ehu.eus/en/web/technart2017
Antunes, Vanessa; Serrao, Vitor: One Painter- Aleixo Godinho-The most important painter active in Goa in the early 17th century. Foundation East, Fontaínhas, Panjim, Goa, 2017, January 24.http://www.artis.letras.ulisboa.pt/multimedia/ficheiros/newsletters/newsletter_artis_fevereiro2017_1quinzena.pdf ///// Antunes, Vanessa; Serrão, Vitor: One Painter- Aleixo Godinho-The most important active painter in Goa in the early 17th century. Fundação Oriente, Fontaínhas, Pangim, Goa, 2017, 24 de Janeiro. http://www.artis.letras.ulisboa.pt/multimedia/ficheiros/newsletters/newsletter_artis_fevereiro2017_1quinzena.pdf
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