Annelies van Loon
0000-0001-9950-7933
Rijksmuseum
5 papers found
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Comparison of macro x‐ray fluorescence and reflectance imaging spectroscopy for the semi‐quantitative analysis of pigments in easel paintings: A study on lead white and blue verditer
The blues of Jan de Bray’s Judith and Holofernes: A technical study of two blue pigments and its impact on treatment
Macroscopic x-ray powder diffraction imaging reveals Vermeer’s discriminating use of lead white pigments in Girl with a Pearl Earring
Development of a new portable X-ray powder diffractometer and its demonstration to on-site analysis of two selected old master paintings from the Rijksmuseum
Artificial orpiment, a new pigment in Rembrandt’s palette
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