Past restorations performed with acrylic and vinyl polymers showed detrimental effects to wall paintings that lead to the complete disfiguration of the painted surfaces. The removal of these materials performed with the traditional solvent-based methodology represents a real challenge to conservators and usually achieves very poor results. This review reports on the new palette, nowadays available to restorers, based on microemulsions, micellar systems, physical and chemical gels specifically formulated for the cleaning of cultural heritage artefacts. These systems have been developed in the last twenty years within the cultural framework of colloids and surface science.