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arXiv, 2022

DOI: 10.48550/arxiv.2206.08225

Oxford University Press, Digital Scholarship in the Humanities, 1(39), p. 74-96, 2023

DOI: 10.1093/llc/fqad071

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All the world’s a (hyper)graph: A data drama

Journal article published in 2023 by Corinna Coupette ORCID, Jilles Vreeken, Bastian Rieck ORCID
This paper was not found in any repository, but could be made available legally by the author.
This paper was not found in any repository, but could be made available legally by the author.

Full text: Unavailable

Question mark in circle
Preprint: policy unknown
Question mark in circle
Postprint: policy unknown
Question mark in circle
Published version: policy unknown

Abstract

Abstract We introduce Hyperbard, a dataset of diverse relational data representations derived from Shakespeare’s plays. Our representations range from simple graphs capturing character co-occurrence in single scenes to hypergraphs encoding complex communication settings and character contributions as hyperedges with edge-specific node weights. By making multiple intuitive representations readily available for experimentation, we facilitate rigorous representation robustness checks in graph learning, graph mining, and network analysis, highlighting the advantages and drawbacks of specific representations. Leveraging the data released in Hyperbard, we demonstrate that many solutions to popular graph mining problems are highly dependent on the representation choice, thus calling current graph curation practices into question. As an homage to our data source, and asserting that science can also be art, we present our points in the form of a play.1