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El escultor Sebastián de Salinas y las pervivencias siloesco-vigarnianas en los años centrales del siglo XVI

Journal article published in 2012 by René Jesús Payo Hernanz ORCID
This paper was not found in any repository; the policy of its publisher is unknown or unclear.
This paper was not found in any repository; the policy of its publisher is unknown or unclear.

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Abstract

El escultor Sebastián de Salinas, formado en el taller de Felipe Vigarny, desarrolló una importante actividad artística en Burgos y su comarca en los años centrales del siglo XVI. Relacionado con los principales artistas burgaleses del momento, como Diego Guillén, Nicolás París y Domingo de Amberes, mantuvo vivos en sus producciones los rasgos estéticos de Felipe Vigarny y de Diego de Siloé, siendo uno de los últimos representantes de la escultura burgalesa del primer Renacimiento. ; The sculptor Sebastian Salinas, trained in Felipe Vigarny's workshop, developed an important artistic activity in Burgos and its region during the middle years of the 16th century. Related to leading artists of the moment in Burgos, as Diego Guillén, Nicolas Paris and Domingo de Amberes, kept alive in his productions the aesthetic features of Felipe Vigarny and Diego de Siloé, being one of the last representatives of the early Renaissance Sculpture in Burgos.